THEMATIC LIST

1. VOLUMES WRITTEN [all themes]

  1. Dva vida dramaturgije (Two Aspects of Dramaturgy), essays on theatre. Zagreb: razlog, 1964. 183p.
  2. Od Lukijana do Lunjika (From Lucian to the Lunik), historical survey and anthology of science fiction. Zagreb: Epoha, 1965. 566p.
  3. Uvod u Brechta (An Introduction to Brecht). Zagreb: Školska knjiga, 1970. 290p.
  4. Russian Science Fiction 1956-1974: A Bibliography. Elizabethtown NY: Dragon P, 1976. viii+73p.
  5. Dramatika Iva Vojnovića (special issue entirely devoted to this text). Dubrovnik no. 5/6 (1977): 2-370.
  6. Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre. New Haven & London: Yale UP, 1979. xviii+317p. (earlier, much shorter French version as Pour une poétique de la science-fiction, Montréal: Les Presses de l'Univ. du Québec, 1977; German, shortened by one chapter, as Poetik der Science-Fiction, Frankfurt: Suhrkamp, 1979; Spanish as Metamorfosis de la ciencia ficcin, Mexico: Fondo de cultura economica, 1984 and 1987; Italian as Le Metamorfosi della fantascienza, Bologna: II Mulino, 1985; Japanese as SF no hen'yô, Tôkyô: Kokubun-Sha, 1991).
  7. Victorian Science Fiction in the U. K.: The Discourses of Knowledge and of Power. Boston: G.K. Hall, 1983. xvii+461p.
  8. To Brecht and Beyond: Soundings in Modern Dramaturgy. Brighton: Harvester P, and Totowa NJ: Barnes & Noble, 1984. xii+ 276p.
  9. The Long March: Notes on the Way 1981-1984 (poems). Willowdale ON: Hounslow, 1987. x+106p.
  10. Positions and Presuppositions in Science Fiction. London: Macmillan, & Kent OH: Kent State UP, 1988. xviii+227p.
  11. Armirana Arkadija (poems). Zagreb: Naprijed, 1990. 122p.
  12. Lessons of Japan. Montreal: CIADEST, 1996. 247p. [distributed by Maisonneuve Press, 6423 Adelphi Rd., University Park MD 20782, USA, US$27]
  13. Looking at Science Fiction: With Sober, Estranged Eyes. Working Papers  Series in Cultural Studies, Ethnicity, and Race Relations No. 12. Pullman WA: Washington SU, 2000. 28pp.

  14. For Lack of Knowledge: On the Epistemology of Politics as Salvation. Working Papers  Series in Cultural Studies, Ethnicity, and Race Relations [No. 27]. Pullman WA: 2001. 32pp.

2. ON SF AND UTOPIA/NISM

A/ VOLUMES EDITED

  1. Other Worlds, Other Seas: Science Fiction Stories From Socialist Countries--selected and edited with Preface and notes. New York: Random House, 1970. xxxiii+217p.; and New York; Berkeley, 1972; and München: Goldmann, 1972 and 1975; and Paris: Denoël, 1973; and Holland: Luithing, 1976; and Tokyo: Hayakawa Shobo, 1976.

  2. Coeditor (with R.D.Mullen) of Science-Fiction Studies: Selected Articles on Science Fiction 1973-1975. Boston: G.K. Hall/ Gregg P, 1976. 304p. (includes an introduction, 4 essays, and 3 notes by me; the essay on Le Guin also published in German, the one on Dick reprinted in a US and translated in a Japanese anthology).

  3. Principal editor of H.G. Wells and Modern Science Fiction, a book of essays by various hands. Lewisburg PA & London: Associated U Presses, 1977. 279p. (includes my Introduction and one essay by me).

  4. Coeditor (with R.D. Mullen) of Science-Fiction Studies, Second Series: Selected Articles on Science Fiction 1976-1977. Boston: G.K. Hall/ Gregg P, 1978. 335p. (includes two essays by me).

  5. Guest editor, Književna smotra no. 46 (1982), special issue on science fiction, 93p. large size (12 essays--including one essay, the introduction, and a bibliography by me).

  6. Guest editor, Canadian-American Slavic Studies 18, no. 1-2 (1984), special issue on science fiction, 152p. (12 essays, includes an introduction by me).

  7. Guest editor, Chung-Wai Literary Monthly (Taipei), special issue on Science Fiction 22.12 (May 1994): 6-217 (with my Introduction and 14 essays, of which two mine).

  8. Co-editor (with G. Maniscalco Basile) of Nuovissime mappe dell'inferno: Distopia oggi. Roma: Monolite Ed., 2003 [forthcoming].

B/ IN BOOKS BY VARIOUS HANDS (select list after 1980)

  1. 22 entries in C.C. Smith, ed., Twentieth-Century Science Fiction Writers. London: Macmillan and New York: St. Martin's P, 1981 (1 updated for the 1986 edn.).

  2. "Counter-projects: William Morris and the Science Fiction of the 1880's," in F.S. Boos and C.G. Silver eds., Socialism and the Literary Artistry of William Morris. Columbia MO: U of Missouri P, 1990, 88-97 (also in R. Garnett and J.R. Ellis eds., Science Fiction Roots and Branches. London: Macmillan, 1990, 7-17).

  3. "On Gibson and Cyberpunk SF," in L. McCaffery ed., Storming the Reality Studio. Durham: Duke UP, 1991, 349-65 (also published in Foundation no. 46 [1989]: 40-51, in Japanese, Hayakawa SF Magazine no. 10 [1988]: 146-61, in Italian, and in German).

  4. "Fantascienza," in Enciclopedia delle scienze sociali. Roma: Ist. della Enciclopedia italiana, 1993, 3: 788-92 (large size; Chinese transl. Chung-Wai Lit. Monthly 22.12 [1994]: 13-26).

  5. "Lem," "Strugatsky, Arkady and Boris," and "Zamiatin," entries in J. Clute ed., The Encyclopedia of Science Fiction. London: Little, Brown, and New York: St. Martin's P, 1993, 710-12, 1173-75, 1364-65; idem, in Grolier Science Fiction. Danbury CT: Grolier Electronic Publ., 1995 [CD-ROM].

  6. "Locus, Horizon, and Orientation: The Concept of Possible Worlds as a Key to Utopian Studies," in J.O. Daniel and T. Moylan eds., Not Yet: Reconsidering Ernst Bloch. London: Verso, 1997, 122-37.

  7. "Novum Is as Novum Does," in K. Sayer & J. Moore eds., Science Fiction, Critical Frontiers. London: Macmillan, and New York: St. Martin's, 2000, 3-22.

  8. "With Sober, Estranging Eyes," Afterword to P. Parrinder ed., Learning from Other Worlds: Estrangement, Cognition and the Politics of Science Fiction and Utopia. Liverpool: Liverpool UP, 2000, 233-71.

  9. "Darko Suvin: A Checklist of Printed Items that Concern Science Fiction," in P. Parrinder ed., Learning from Other Worlds: Estrangement, Cognition and the Politics of Science Fiction and Utopia. Liverpool: Liverpool UP, 2000, 272-90.

  10. "Science Fiction Parables of Mutation and Cloning as/and Cognition" in D. Pastourmatzi ed. Biotechnological and Medical Themes in Science Fiction. Thessaloniki: University Studio, 2002 [a portion as "Cloning: On Cognition in the Discourses of SF and Technoscience." Femspec 3.2 (2002): 67-74].

  11. "Reflections on What Remains of Zamyatin's We after the Change of Leviathans: Must Collectivism Be Against People?" in  Envisioning the Future: Science Fiction and the Next Millennium, ed. M. Barr. Middletown: Wesleyan UP, 2003, 51-81.

  12. "Theses on Dystopia 2001," in R. Baccolini and T. Moylan eds., Dark Horizons: Science Fiction and the Dystopian Imagination. New York & London: Routledge, 2003, 187-201. 

  13. "Trenta Tesi sulla Distopia" and "Narciso e Anteo: il collettivismo deve per forza essere contro la gente?" in G. Maniscalco Basile and D. Suvin eds., Distopia oggi. Roma: Monolite Ed., 2003 [forthcoming].

  14. "Fantasy as Critique and Cognition," in C. Bordoni ed., Linee d'ombra. Cosenza: Pellegrini [forthcoming]

C/ ARTICLES IN PERIODICALS (select list after 1968)

Critiques, essays, and studies published in various European, Asian, North American, and Oceanian periodicals. These include  Canadian Slavic Studies, Clio (W), College English, Communautés, Culture & Context, Delo (B), Eureka (Tokyo), Europe, Extrapolation, Forum (Z), Foundation, Genre, Hayakawa SF Magazine, Heyne SF Magazin, Izraz, Journal of Arts & Ideas (Delhi), Književna smotra, Književnik, Književnost, Literature and History, Métaphores, Minnesota Review, Modern Languages Review, Mosaic, Pacific Quarterly Moana, Poetics Today, Protée, Quarber Merkur, Questions des genres littéraires, Republika, Restant, Savremenik, Science-Fiction Studies, Sociologie et sociétés, Solaris Almanach, Strumenti critici, Studies in the Literary Imagination, Umjetnost riječi, The Wellsian. A selection in major languages and in refereed journals only is: 

  1. "Significant Themes in Soviet Criticism of Science Fiction." Extrapolation 11 (1970): 44-52.

  2. "Criticism of the Strugatskii Brothers' Work." Canadian-American Slavic Studies 6 (1972): 286-307.

  3. "'Utopian' and 'Scientific': Two Attributes For Socialism From Engels." The Minnesota Review no. 6 (1976): 59-70.

  4. "Supplement to Russian Science Fiction 1956-1974." Canadian-American Slavic Studies no. 4 (1981): 533-44.

  5. (with M. Angenot) "A Response to Professor Fekete's 'Five Theses'." Science-Fiction Studies 15 (1988): 324-33.

  6. "Utopianism from Orientation to Agency: What Are We Intellectuals under Post-Fordism To Do?" Utopian Studies 9.2 (1998): 162-90 and Frakcija (Zagreb) no. 9 (1998): 48-61 (tr. into Serbian 1999).

  7. ["Some Notes & Memories on Dale Mullen's Maieutics."]. Science-Fiction Studies 25 (1998): 404-08. 

  8. "Horizon (Utopian)," entry for "Lexicon: 20th Century A.D.," in Public (Toronto) no. 19: 72-75 (Spring 2000).

  9. "Considering the Sense of 'Fantasy' or 'Fantastic Fiction'." Extrapolation 41.3 (2000): 209-47 (somewhat augmented in Orizzonti del fantastico. Ed. A Contenti. CD, Dipart. Lett. Comparate, U Roma III, June 2002).

  10. (with questions by Van Ikin, Russell Blackford and Sylvia Kelso). "A Colloquium with Darko Suvin." Science Fiction [U. of W. Australia] 16.1 (2001): 2-33.

  11. "Goodbye and Hello: Differentiating within the Later P.K. Dick."  Extrapolation 43.4 (2002): 368-97 (Greek tr. in Oi Dramatourgoi ton Giann no. 12 [2003]: 8-24 and no. 13 [2004]: 4-18).

  12. "Strugatski Remembrance." Extrapolation 44.2 (2003): 224-27.

  13. "Intervista [di Carlo Bordoni] con Darko Suvin." Robot no. 42 (2003): 122-27.

  14. "The Final Chapter of SF?: On Reading Brian Stableford." SFRA R no. 266 (2003): 5-9 and no. 267 (2004):  [forthcoming]. 

  15. "Sul concetto di utopia in epoca moderna." Nuova secondaria 5 (gennaio 2004): 105-11.  

See also above "In Books"

3. ON THEATRE, CULTURAL STUDIES AND OTHER

A/ VOLUMES EDITED

  1. Bertolt Brecht, Dijalektika u teatru (Dialectics in the Theatre)--selected, edited, and translated with notes and Preface. Beograd: Nolit, 1966. 298p.; 2nd augmented edn. 1980. 340p.

  2. Bertolt Brecht, St. Joan of the Slaughterhouses, programme booklet--selected, partly written, and edited. Montréal: McGill Univ., 1973. 40p.

  3. Co-editor (with M.D. Bristol) of A Production Notebook to Brecht's "St. Joan of the Stockyards" (includes one essay of mine). Montreal: McGill Univ., 1973. 250p.

  4. Brecht's Koriolane, programme booklet--selected and edited. Montreal: McGill Univ., 1976. 40p.

  5. Guest editor, Discours social/ Social Discourse 6.1-2 (1994):1-210 [large size], special issue "The Non-Cartesian Subjects, East and West" (10 essays, including an Introduction and an essay by me).

B/ IN BOOKS BY VARIOUS HANDS (select list after 1980)

  1. "On Two Notions of `Science' in Marxism," in T. Henighan ed., Brave New Universe. Ottawa: Tecumseh P, 1980, 27-43.

  2. "Semiotički pogled na neke vidove Vojnovićeve dramaturgije" (A Semiotic View of Vojnović's Dramaturgy), in F. Čale ed., O djelu Iva Vojnovića. Zagreb: Yugoslav Academy of Science and Art, 1981, 319-46.

  3. "Vojnović's Dramaturgy and Its European Context," in M. Beker ed., Comparative Studies in Croatian Literature. Zagreb: Zavod za zn. o književnosti, 1981, 337-57.

  4. "Dramaturgy and Literature," in E. Kushner ed., Renewals in the Theory of Literary History. Ottawa: The Royal Society of Canada, 1984, 77-88.

  5. "Levels of Narrative Agents," in C. Guillén ed., Theory of Poetic Form: Proceedings of the X Congress of the International Comparative Literature Assn. New York: Garland, 1985, 2: 227-32.

  6. "On Fiction as Anthropology: Agential Analysis, Types, and the Classical Chinese Novel," in J. Hall and A. Abbas eds., Literature and Anthropology. Hong Kong: Hong Kong UP, 1986, 116-46.

  7. "Can People Be (Re)Presented in Fiction?" in C. Nelson and L. Grossberg eds., Marxism and the Interpretation of Culture. Urbana IL: U of Illinois P, 1988, 663-96.

  8. "The Chronotope, Possible Worlds, and Narrativity," in J. Bessière ed., Fiction--Narratologie --Texte--Genre: Proceedings of the ICLA XI Congress, Vol. 2. NY & Bern: Lang, 1989, 33-41.

  9. "Brecht's Parable of Heavenly Food: Life of Galileo." Brecht Yearbook 15 (1990): 187-214.

  10. "The Popular Ballad as Dramaturgic Catalyzer and John Arden's Armstrong's Last Goodnight," in G. Ahrends and H.-J. Diller eds., Unconventional Conventions in Theatre Texts. Tübingen: Narr, 1990, 43-52.

  11. "Approach to Topoanalysis and to the Paradigmatics of Dramaturgic Space," in H. Schmid and H. Král eds., Drama und Theater: Theorie--Methode--Geschichte. München: Sagner, 1991, 82-111 (in Japanese, Shisô no. 788 [Feb. 1990]: 108-37).

  12. "Einige Überlegungen samt zwei Arbeitshypothesen über den Horizont des europäischen Studententheaters, 1956-67," in M. Joković ed., Liber Amicorum de Dragan Nedeljković. Beograd-Nancy: n.p., 1993, 206-13.

  13. "Heavenly Food Denied: Life of Galileo," in P. Thomson and G. Sacks eds., The Cambridge Companion to Brecht. Cambridge: Cambridge UP, 1994, 139-52.

  14. "A Brief Introduction to Senda Koreya, Theater Director and Brechtian"; and "Senda Koreya's Directing History" plus "Meine Brecht-Rezeption" by Senda Koreya (ed. and annotated), Brecht Yearbook 19 (1994): 291-95 and 296-345.

  15. "A Modest Proposal for the Semi-Demi Deconstruction of (Shakespeare as) Cultural Construction," in L. Innocenti et al.  eds., Semeia: Itinerari per Marcello Pagnini. Bologna: Il Mulino, 1994, 67-76.

  16. "La letteratura comparata come prova di magia bianca," in A. Gnisci and F. Sinopoli, eds., Comparare i comparatismi. Roma: Lithos, 1995, 89-98.

  17. (with Marc Angenot) "L'aggirarsi degli spettri. Metafore e demifisticazioni, ovvero l'implicito del manifesto (Elogio, limiti e uso di Marx)," in M. Galletti ed., Le soglie del fantastico. Roma: Lithos, 1997, 129-66.

  18. "Against Originals: honkadori and the Horizons of Pastiche," in P. Mildonian ed., Parodia, pastiche, mimetismo. Roma: Bulzoni, 1997, 65-80.

  19. "Sabine Kebir, Ich fragte nicht nach meinem Anteil." Brecht Yearbook 24 (1999): 386-96; German as "Über Frauen und Brecht." Weimarer Beiträge no. 3 (1999): 449-58 [review article].

  20. "Haltung (Bearing) and Emotions: Brecht's Refunctioning of Conservative Metaphors for Agency," in T. Jung ed., Zweifel - Fragen - Vorschläge: Bertolt Brecht. Osloer Beitraege zur Germanistik 23. Frankfurt a.M.: Lang V, 1999, 43-58.

  21. "On the Epistemology and Pragmatics of Intercultural Theatre Studies," in G. Berghaus ed., New Approaches to Theatre Studies and Performance Analysis. Reihe Theatron 33. Tübingen: Niemeyer, 2001, 31-44 (Croatian transl. in Književna smotra 32.117 [2000]: 131-42).

  22. "Haltung," entry in Historisch-kritisches Wőrterbuch des Marxismus, Vol. 5. Hamburg: Argument, 2002, col. 1134-42. 

  23. "Conflict, Conflict Über Alles?: Conflict Vs. Revelation as Stage Poetics and Paradigms," in Atti del Convegno A.I.S.S. 2001 (forthcoming).
  24. "To Laputa and Back: A Missing Chapter of Gulliver's Travels." [forthcoming]

C/ ARTICLES IN PERIODICALS (select list after 1968)

Critiques, essays, and studies on literature, theatre, and culture published in various European, Asian, North American, and Oceanian periodicals. These include Canadian Review of Comparative Literature, Clio (W), Comparative Literature Studies, Croatica, Delo (B), The Drama Review, Eureka (Tokyo), Forum (Z), Helikon, Hihyô kûkan, imprévue, Intersezioni, Izraz, Journal of Arts & Ideas (Delhi), Književna smotra, Književnik, Književnost, Littérature, Massachusetts Review, Minnesota Review, Modern Drama, Mogućnosti, Mosaic, Most/ Le Pont, Pitanja, Poetics Today, Praxis (Z), Prolog, Questions des genres littéraires, Republika,  Savremenik, Social Text, Sociocriticism,  SubStance, Travail théâtral, Tulane Drama Review, Umjetnost riječi, Versus, Working Papers in Communications. A selection in major languages and in refereed journals only is: 

  1. "Eric Bentley: The Hero as Theatre Critic." The Massachusetts Review 9 (1968): 350-58.

  2. "Preliminary Theses on Allegory." Umjetnost riječi no. 1-3 (1977): 197-99.

  3. (with M. Angenot) "Thèses sur la 'sociologie' de la littérature." Littérature no. 44 (1981): 117-27.

  4. "La Vision des drames expressionistes de M. Krleža...." Most/ Le Pont no. 1/2 (1982): 25-45 (abridged English original in Mosaic 6.4 [1973]: 169-83).

  5. "The Social Addressees of Victorian Fiction." Literature and History no. 1 (1982): 11-40.

  6. "Transubstantiation of Production and Creation." The Minnesota Review no. 18 (1982): 102-15 (French in Otrante no. 9 [Printemps 1997]: 75-90).

  7. "On Dramaturgic Agents and Krleža's Agential Structure." Modern Drama 27 (1984): 80-97.

  8. "Two Holy Commodities: The Practices of Fictional Discourse and Erotic Discourse." Sociocriticism no. 2 (1985): 31-47 (also partly published in French).

  9. "The Performance Text as Audience-Stage Dialog Inducing a Possible World." Versus no. 42 (1985): 3-20 (also published in Italian).

  10. "On Metaphoricity and Narrativity in Fiction." SubStance no. 48 (1986): 51-67.

  11. "Brechtian or Pseudo-Brechtian: Mythical Estrangement in the Berliner Ensemble Adaptation of Coriolanus." Assaph (Theatre Studies) no. 3 (1986): 135-58.

  12. "Lukács: Horizons and Implications of the 'Typical Character'." Social Text no. 16 (1987): 97-123.

  13. "Weiss's Marat/Sade and its Three Main Performance Versions." Modern Drama (Oct. 1988): 395-419.

  14. "The Subject as a Limit-Zone of Collective Bodies (Bakhtin, Hobbes, Freud, Foucault, and Counting)." Discours social/ Social Discourse 2.1-2 (1989): 187-99.

  15. "Brecht's Life of Galileo: Scientistic Extrapolation or Analogy of the Knower?" Forum Modernes Theater 5.2 (1990): 119-38.

  16. "Nô-Theater" (review). Monumenta Nipponica 46.1 (1991): 133-36.

  17. "The Yamabushi." Communications from the Int'l Brecht Society 20.1-2 (1991): 42-52.

  18. "The Soul and the Sense: Meditations on Roland Barthes on Japan." Canadian Review of Comparative Lit. 18.4 (1991): 499-531 (Japanese tr. in Gendai shisô 19.10 [1991]: 251-68 and 19.11 [1991]: 208-22).

  19. "Poetyka orientalna i jej recepcja w Europe" (review). Literary Research/ Recherche littéraire no. 19 (1992/93): 14-15.

  20. "Some Theses on Fiction as Epistemology." Discours social/ Social Discourse 5.1-2 (1993): 121-26. 

  21. "The Use-Value of Dying: Magical vs. Cognitive Utopian Desire in the "Learning Plays" of Pseudo-Zenchiku, Waley, and Brecht." Brock R. 3.2 (1994): 95-126 [somewhat different version transl. into Japanese as "Shinu koto no shiyô kachi: Gi-Zenchiku to Burehito no 'kyôiku geki' ni okeru majutsuteki/ ninchiteki ûtopia ganbo (Weirii o zero opushon toshite)." Hihyô kûkan (Critical Space) no. 10 (1993): 110-33].

  22. "And Yet: Seesaws, Pivots, and Parentheses: Reflections on Two Voices of Translation Discourse à propos of Haiku of Issa." Discours social/ Social Discourse 5.3-4 (1993): 55-79.

  23. "Burehito-no-kai (The Brecht Group) Experimental Performances" by Senda Koreya (ed. and annotated). Communications from the Int'l Brecht Society 22.2 (1993): 59-69.

  24. "Polity or Disaster: From Individualist Self Toward Personal al Valences and Collective Subjects." Discours social/ Social Discourse 6.1-2 (1994): 181-210 [large size].

  25. "Introduction to the 'Non-Cartesian Subjects' Issue." Discours social/ Social Discourse 6.1-2 (1994): 7-21 [large size].

  26. "Revelation vs. Conflict: A Lesson from Nô Plays for a Comparative Dramaturgy." Theatre Journal 46.4 (1994): 523-38.

  27. "On Cognitive Emotions and Topological Imagination." Versus no. 68-69 (1994): 165-201.

  28. "On Haltung, Agency, and Emotions in Brecht: Prolegomena." Communications from the Int'l Brecht Society 24.1 (1995): 65-77 [also in Frakcija  (Zagreb) no. 8 (1998): 92-97 and 116-20].

  29. "A Farewell Editorial." Literary Research /Recherche littéraire no. 23 (1995): 4-5.

  30. "Synchrony as Aim and Reference: A Thesis on Parody's Horizons." Canadian Review. of Comparative Lit. 23.2 (1996): 475-83 [earlier Italian version in I Quaderni di Gaia no. 9 (1995): 45-52].

  31. "Travels of a Shintoist Cybermarxist" [two interviews with Chao-yang Liao and Tami Hager]. Foundation no. 67 (1996): 5-28.

  32. "Deity vs. Warrior Nô Plays." Journal of Theatre and Drama (Haifa) 2 (1996): 133-51.

  33. "Two Cheers for Essentialism & Totality: On Marx's Oscillation and its Limits (As Well As on the Taboos of Post-Modernism)." Rethinking Marxism 10.1 (1998): 66-82.

  34. "Wo sind wir? Zur Politik und Ökonomie der Sintflut." Zeitschrift für kritische Theorie no. 7 (1998): 61-69.

  35. "Centennial Politics: On Jameson on Brecht on Method." New Left Review no. 234 (March-Apr. 1999): 127-40 [German transl. in Dreigroschenheft (1999) and shortened in Das Argument no. 232 (1999), Croatian transl. in Republika (1999)].

  36. "System," entry for "Lexicon: 20th Century A.D.," in Public (Toronto) no. 20: 81-84 (Spring 2000).

  37. "The Arrested Moment in Benjamin's 'Theses': Epistemology vs. Politics, Image vs. Story." Neohelicon 28.1 (2001): 177-94.

  38. "Bertolt Brecht: The Manifesto" [translated] and "On Brecht's The Manifesto: Comments for Readers in English." Socialism and Democracy 16.1 (2002): 1-31.

  39. "What May the Twentieth Century Amount To: Initial Theses." Critical Quarterly [Oxford UK] 44.2 (2002): 84-104 (Croatian transl. in Filozofska istraživanja no. 88 [2003]: 207-25).)

  40. "La Regola e le eccezioni: Werner Krauss e gli Studi Romanzi in Germania." Osservatorio critico della Germanistica [Trento] no. 1 (2002): 33-43]; reduced version as "Auerbach's Assistant." New Left R. n.s. no. 15 (May-June 2002): 157-64. 

  41. "Europa? Repubblica delle lettere?" Bollettino '900 - Electronic Newsletter of '900 Italian Literature Giugno 2003, n. 1, www2.unibo.it/boll900/numeri/2003-i/Suvin.html 

  42. "Leggere è un verbo transitivo," in  Che cosa significa: leggere, a cura di S. De Luca e A. Piperno,  in Sincronie 7.13 (gennaio-giugno 2003):  51-58.

  43. "Living Labour and the Labour of Living: A Little Tractate for Looking Forward in the 21st Century." forthcoming in Critical Quarterly [Oxford UK] 46.1 (2004): (Croatian transl. in Filozofska istraživanja no. [2004]: ). 

See also above "In Books"

See also poems and shorter prose

Vita